Visual rhythm is the key concept I derived all throughout the process of working and transitioning from 2D photograph to the 3D model and the final paintings. In the photograph of the wheels, I found the impressions of recurring circulation that inspired me and brought me to my final word--flow. I made sense of the complexity and interaction of diverse elements such as curves, shadows, volumes, surfaces by way of arranging them in compositions that show combination in a flow.
By placing my relief model under strong lighting, I found a new perspective wherein the black and white elements forms powerful individual presences. In continuation, I made my charcoal drawing to record my understanding of the existing characteristics.
My decisions on the use of visual elements such as color, juxtaposition, perspective and the projection of pictorial spaces contributed to reimaging in painting.
While the graduation of bright orange and maroon constitute the object, the dark blue, purple, and black forms the shadow. As a result, I differentiate two opposite visual parts and, also expressed a personal meaning. The flow of water and fire is represented through the redness of fire traveling in a state of liquidity.
There are basic elements that are quiet yet largely significant, I am not only seeking the sound but attempting to reflect it in my works.